"We pray to our ancestors but we do not worship them. You, you need an intermediary, the priest. But for us, our intermediary is the ancestor who is sitting next to God," says Poundé, the old Cameroonian ethnologist, to the young Jewish director from Canada. And with this conclusive statement, everything becomes clear: the funerals in memory of "the dead who are not dead" organized several days or even years following the burial, the chants, brass...

Sons of Shiva is a sustained attempt to film a four-day ceremony concerned with the worship of Shiva. Devotees of the God Shiva are shown from the initial taking of the Sacred Thread through gradually intensifying action to a culmination in a variety of ascetic and self denying practices.

To Serve the Gods is about the beliefs, rituals and performances of a week-long ceremony given by a Haitian family in honor of its ancestral spirits. We are told at the outset of the film that this sevis loua only occurs every twenty to thirty years. This particular service takes place in a rural community in southern Haiti, on family land, where relatives have gathered to propitiate gods inherited by their ancestors.

Monday's Girls explores the conflict between modern individualism and traditional communities in today's Africa through the eyes of two young Waikiriki women from the Niger delta. Although both come from leading families in the same large island town, Florence looks at the iria women's initiation ceremony as an honor, while Azikiwe, who has lived in the city for ten years, sees it as an indignity. Ngozi Onwurah, director of such feminist classics...

At the request of a dying Tiwi man and his family on Melville Island, this film was made of the pukumani (bereavement) ceremony to follow his death. The film observes the family through the long period of preparation for the ceremony, following age-old traditions. Dancing and face-painting are rehearsed, to the family's satisfaction, and because "things should be right for this film". For the two days of ceremony, the community moves to Carslake Beach...

The Women's Olamal follows the events that preceded a controversial ceremony in Loita, Kenya, to bless the women and to increase their ability to have children. This film, presented in observational style with limited commentary, depicts some of the tensions between men and women in Maasai society which, in this case, erupt in a violent row between them.

This documentary is about a group of non-Native women's search for self in "other". The focus is on a specific group of New Age women in Ojai, California who construct a new sweat lodge and perform their own ceremony.

For centuries, rice farmers on the island of Bali have taken great care not to offend Dewi Danu, the water goddess who dwells in the crater lake near the peak of Batur volcano. Toward the end of each rainy season, the farmers send representatives to Ulun Danu Batur, the temple at the top of the mountain, to offer ducks, pigs, coins and coconuts in thanks for the water that sustains their terraced fields.

"Haunted by an unmet promise, the Swart family loses touch after the death of their matriarch. Adrift, the lives of the three siblings move separately through the uncharted waters of South Africa; Anton, the golden boy who bitterly resents his life's unfulfilled promises; Astrid, whose beauty is her power; and the youngest, Amor, whose life is shaped by a nebulous feeling of guilt. Reunited by four funerals over three decades, the dwindling family...

Documents the burial process throughout the centuries and in different cultures.