An exploration of art as a great passion of life considers what can be learned through pictures, sculpture, and the artists who create them, in a personal exploration that advocates awareness of art and the creative spirit within one's own life.

"Fresh from the enormous success of her debut novel Near to the Wild Heart, Hurricane Clarice let loose something stormier in 1946 with her second novel, The Chandelier. In a body of work renowned for its potent idiosyncratic genius, The Chandelier in many ways has pride of place. "It stands out," her biographer Benjamin Moser noted, "in a strange and difficult body of work, as perhaps her strangest and most difficult book." Of glacial intensity,...

When Kent Nerburn received a letter from a young woman questioning her calling to spend her life in the arts, the writer and artist was struck by how closely her questions mirrored the doubts and yearnings of his own youth. Nerburn resolved that he would write his own letter: a letter of welcome and encouragement to all artists setting out on the same strange and magical journey, sharing the wisdom of a life spent working in the arts. From struggles...

How did Richard Ford's cat influence his work as a novelist? How is Chuck Close's portraiture driven by his inability to remember faces? What pivotal moment helped Rosanne Cash understand the healing power of the stage? Creativity is an elusive subject. We enjoy its fruits--movies, novels, paintings, songs--but rarely are we privy to what happens in the creative process. In Spark, journalist Julie Burstein traces the roots of some of the twenty-first...

"In Soul at the White Heat, Oates deploys her keenest critical faculties, conjuring contemporary and past voices whose work she deftly and creatively dissects for clues to these elusive questions. Virginia Woolf, John Updike, Emily Dickinson, Henry James, J. M. Coetzee, Margaret Atwood, Joan Didion, Zadie Smith, and many others appear as predecessors and peers?material through which Oates sifts in acting as literary detective, philosopher, and student....

Offers plucky young women a field guide for creative pursuits.

"For more than five years the cartoonist Lynda Barry has been an associate professor in the University of Wisconsin-Madison art department and at the Wisconsin Institute for Discovery, teaching students from all majors, both graduate and undergraduate, how to make comics, how to be creative, how to not think. There is no academic lecture in this classroom. Doodling is enthusiastically encouraged. Making Comics is the follow-up to Barry's bestselling...

"On a stormy night two hundred years ago, a young woman named Mary waited for inspiration. Her friend, the poet Lord Byron, had challenged her to write a scary story, but no ideas would come. Mary thought back through her life at the eerie things she had seen in her childhood and the losses she had suffered. But nothing was as scary as her own imagination. As she drifted off to sleep, she pictured something monstrous, a creature that was so frightening,...